How “site” alters the perception and reception of the work of art
The psychology and the materiality of the “site”
The relationship between perception, site, and object as intertwining modalities
The phenomenology of perception and the conditions of experience
How a culture defines a land, environment and site
The artwork as inseparable from the “site,” “space” or the “environment”
The shifting nature of sculpture and its surrounding discourse
How public art, architecture and environments can activate social change, awareness, spatial cognition, consciousness and interrupt pre-conditioned patterns of perception and observation
How the viewer inhabits architecture and how architecture inhabits the viewer
Robert Irwin Sem titulo, 2019
Concrete, stainless steel, artisanal glass
Installation site: Inhotim, Brumadinho, Minas Gerais, Brazil
Photography: Georges Armaos
